Research Group Publications: ARTICLES

Higbee, Will, ‘Class Struggle and Religious difference in the workplace: Representing Islam in Dernier maquis (Ameur-Zaimeche, 2009)’, Working USA 16/4, 2014, pp. 525-536.

Higbee, Will, ‘Le Cinéma maghrébin vu de l’autre côté de la Méditerranée: cinéma national/transnational/diasporique’, Africultures, 2012.

Higbee, Will, ‘Introduction: Re-presenting diasporas in cinema and new (digital) media’, Journal of Media Practice, 11/1, Intellect, 2010, pp. 2-11.

Higbee, Will, ‘Concepts of transnational cinema: towards a critical transnationalism in film studies’, Transnational Cinemas 1/1, Intellect, 2010, pp. 7-21.

Higbee, Will, ‘Displaced audio: exploring screen sound in Maghrebi-French filmmaking’, Studies in French Cinema 9/3, Intellect, 2009, pp. 225-241.

Higbee, Will, ‘Re-presenting the urban periphery: Maghrebi-French Filmmaking and the banlieue film’, Cineaste (US), November 2007, pp. 8-13.

Higbee, Will, ‘Beyond the (trans)national: towards a cinema of transvergence’, Studies in French Cinema 7/2, 2007, pp. 79-91.

Martin, Florence, ‘Paroles et musiques: les audaces des documentaristes maghrébines’, Diogène 1/245, 2015, pp. 142-154. 

Martin, Florence, The death of the Father in contemporary Tunisian film’, Masculinities in Egypt and the Arab World, a special issue of The Cairo Papers 33/1, 2014, pp. 89-101.

Martin, Florence, ‘Farida Benlyazid and Juanita Narboni: Two Women from Tangier’, Black Camera 6/1, 2014, pp. 124-138.

Martin, Florence, ‘Écran pour tous? Personnages gays dans trois films phares tunisiens’, in Africultures : Les Homosexualités en Afrique, Paris: L’Harmattan, 2014, pp. 108-121. 

Bahmad, Jamal, ‘Mapping Moroccan neoliberalism: melodrama and realist aesthetics in the films of Hakim Noury’, in The Journal of North African Studies 21/1, 2016, pp. 108-115.

Bahmad, Jamal, ‘The age of new waves: art cinema and the staging of globalization’, in Historical Journal of Film, Radio and Television 35/1, 2015, pp. 195-197.

Bahmad, Jamal, ‘Rebels with a cause: youth, globalisation and postcolonial agency in Moroccan cinema’, in The Journal of North African Studies 19/3, 2014, pp. 376-389.

Bahmad, Jamal, ‘Casablanca Unbound: The New Urban Cinema in Morocco’, in Francosphères 2/1, 2013, pp. 73-85.

Bahmad, Jamal, ‘From Casablanca to Casanegra: Neoliberal Globalization and Disaffected Youth in Moroccan Urban Cinema’, in Middle East Journal of Culture and Communication 6/1, 2013, pp. 15-35.

Bahmad, Jamal, ‘Tarik Sabry, Cultural encounters: on media, the modern and the everyday’, in The Journal of North African Studies 17/4, 2012, pp. 737-739.

Van de Peer, Stefanie, ‘Young Transnational Cinema in the Maghreb,’ Journal of African Cinemas, special issue on 40 Years of Women Filmmaking in Francophone Africa: 1972-2012 (Intellect) April 2013. (p.175-190).

Van de Peer, Stefanie, ‘Selma Baccar’s Fatma 75: At the Crossroads between Third Cinema and New Arab Cinema,’ Francophone Documentary, a special edition of the journal French Forum, (University of Nebraska Press) Vol. 35, Nos. 2-3, March 2011. (p.17-37).