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Higbee, Will and Leahy S, ‘Introduction’, in Studies in French Cinema: UK Perspectives 1985-2010, Bristol: Intellect, 2010, pp. 13-24.
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Martin, Florence, ‘Trouble Everyday: The Neo-Colonialists Bite Back’, in Marjorie Vecchio, ed. The Films of Claire Denis; Intimacy on the Border. London: I.B. Tauris Press, 2014, pp. 125-132.
Martin, Florence and Patricia Caillé, ‘Introduction: Cinémas du Maghreb’, Les Cinémas du Maghreb et leurs publics, pp. 10-19.
Martin, Florence, ‘Satin Rouge aux États-Unis: discours et réception critique’, Ibid., pp. 44-55.
Van de Peer, Stefanie, ‘Moroccan Scriptwriting: Farida Benlyazid’, in: Nelmes, Jill and Jule Selbo (eds) Women Screenwriters. An International Guide. London: Palgrave Macmillan. September 2015, pp. 23-28.
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Van de Peer, Stefanie, ‘Forgotten Women, Lost Histories: Selma Baccar’s Fatma 75 (1978) and Assia Djebar’s La Nouba des femmes du Mont Chenoua (1978)’ in: Murphy, D. and Bisschoff, L. (eds) Africa’s Lost Classics. New Histories of African Cinema. Oxford: Legenda. September 2014, pp. 62-70.
Van de Peer, Stefanie, ‘Arab Cinema: Women’s Contributions’, in: The [Oxford] Encyclopedia of Islam and Women. New York: Oxford University Press. November 2013.
Van de Peer, Stefanie, ‘Closed Windows Onto Morocco’s Past: Leila Kilani’s Our Forbidden Places’, in: Bisschoff, L. and Van de Peer, S. (eds) Art and Trauma in Africa: Representations of Reconciliation in Music, Visual Art, Literature and Film. London: IB Tauris. March 2013, pp. 231‐250.
Van de Peer, Stefanie, ‘The Labyrinth of Halfaouine: Storytelling and the 1001 Nights’, in: Khatib, L. (ed.) Storytelling in World Cinema. Columbia University Press. May 2012, pp. 61-71.